Kim Tibbs
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Kim Tibbs

Huntsville, Alabama, United States | Established. Jan 01, 2000 | SELF

Huntsville, Alabama, United States | SELF
Established on Jan, 2000
Band R&B Folk




""The Rebel Artist""

" Kim Tibbs, a Huntsville gospel and rhythm and blues singer played piano and organ on Toska..." - The Times Daily

""Huntsville Interfaith Candlelight prayer vigil for Boston will open with gospel and country singers""

"Huntsville, Alabama - Recording artist Kim Tibbs, who has worked with Percy Sledge, along with country music rising star Leah Seawright, who has shared the stage with Charlie Daniels will provide music for Huntsville's Interfaith Service of Solidarity in Big Springs Park tonight, Friday, April 19, 2013.

Music will begin at 6:45pm, with the short service of readings, prayers, and music beginning at 7:00pm said the Rev. Al Garrett, who is among the religious leaders of the Southeast Clergy Group who are the planning the service. -

"Multiple Press Quotes/Statements"

Visit listed website to see all the different multiple press comments, quotes, statements, etc. - Multiple Writers


IAA INDUSTRY NEWS: What city and state are you from?

KIM TIBBS: I am an “original” resident of Huntsville, Alabama. People think I am crazy in the music industry when I say that I am traditionally from Huntsville; Huntsville is NOT a typical hub for industry entertainment AT ALL. And I currently live here as well! I grew up in Cedar Point, right beside the great J.O. Johnson High School, but attended Holy Family Catholic School, Huntsville Middle School, and lastly Huntsville High School! Literally, my old “new school” has my name hanging up in the Gymnasium because I ran Cross Country and Track & Field; and YES, I was a state champion! Huntsville is a beautiful place: Lush green trees, grass, beautiful rivers, wonderful homes, and just a truly wonderful place to live all around. People come here and think, “Wow, I didn’t know Huntsville or Alabama looks like this!” And I always say in response, “Why do you think that I live here and opt to stay in this beautiful place?” I grew up in Huntsville, but on weekends, most were spent in a little rural community called, “Little Elk, Alabama.” Down there, we were true kids! We ran, played, and guess what? There was enough room to do it because it was my Grandparents, Rev. Bennie and Mary Sanderfer’s farm; where my mother grew up. I have several memories of fishing on the family pond all the way to running away from my Uncle Ervin’s German Shephard, Bless. Those were the days. My sister, brother, and I were truly playmates, best friends, but we learned about living as real children. I played with cousins and just grew up in a comfortable life. We weren’t rich, but we weren’t poor. We were a middle class family living in a truly great area.

Huntsville, Alabama is the home to Redstone Arsenal Military Base as well as NASA. When you hear about stories involving Werner Von Braun or the Patriotic Missile, these people and the technology were developed in Huntsville. And Huntsville also houses my former colleges, Alabama A&M University and J.C. Calhoun Community College; but also, other Universities include: Oakwood University, University of Alabama-Huntsville, J.F. Drake State Technical College, Virginia College, and several smaller ones. Why I mention this is because although music is important, my background in Education is just as important if not even more important! Although I reside in Huntsville, I am also currently working on a Doctorate Degree from Walden University. Although it is not physically in Huntsville or Alabama, my other colleges are: J.C. Calhoun Community College, Athens State University, and Columbia Southern University, all of which are located in the great state of Alabama.

But, lastly, Huntsville is partial to me because my mother is still here as well as my son, as it relates to immediate family. My father, the late Pastor Robert L. Tibbs, was an instrumental unit in the North Alabama Area. His gifts, abilities, and guidance largely are what have helped thousands from this area and more to become anything that they actually dreamed to be. My family includes: The Tibbs Family, Turner Family, Hardin Family, Sanderfer Family, Shoulders Family, Weaver Family, and several others are truly what gives me such examples of family. My extended family: Blanche Chapel M.B. Church, Briar Fork C.P. Church, Church Street C.P. Church Family, Progressive Union M.B. Church Family, St. Bartley P.B. Church and St. James M.B. Church of Leighton, ALL are/were places where I made a lot of musical noise and still do. You have to have a village to really learn enough about what you want in life as well as where you would like to be. Although I am from Huntsville, I have so many extensions to the Alabama just because of how many places I have served in a musical entity.

For me, Muscle Shoals, Sheffield, Leighton, Courtland, and Tuscumbia, Alabama hold a dear piece of my heart. Why? These were places that I got lost on purpose just to find myself, my heart, my passion, my goals, my dreams, and to find out what life means. Since I record a lot, I have worked out of Big Star, The Nutt-House Studios, Fame, and several others in the area. My ability to get used to singing and playing took place in these areas. I was able to understand the necessities of placement in musical composition just because I was able to be sitting there watching legends like the “Muscle Shoals Swampers” or seeing professional songwriting at its best under Hit Songwriter Philip White. But, I am a firm believer that wherever you want to get in life, you will be table to do regardless to the stopping blocks in place. Huntsville is where I was born, but the state of Alabama is my extra parents just because so many great people from this state have groomed me into what I am to, today.

IAA INDUSTRY NEWS: What’s your music background?

KIM TIBBS: Well, my musical background is one that is simple, yet complex. At age 2, I started playing the piano. My father, the late Pastor Robert L. Tibbs, was a pianist and b-3 organist. He could play anything, sing anything, and was musically one of the most influential persons that I could have had the opportunity to learn from. Daddy was and still is my reason for doing music. Once I developed a liking of music and could actually play songs, I was then sent to Dr. Henrene Smoot: A piano teacher but Alumni Professor from Alabama A&M University.

Dr. Smoot was very strict and very “directive” where she made sure that if you played a wrong musical piece, she would quickly show you just how it was to have been played. Dr. Smoot was always punctual and never played the wrong note! I used to think that she was bionic underneath her skin! After I learned how to read music from Dr. Smoot, my father wanted me to learn the specifics of gospel music. So, I started taking music lessons from Joyce Brown.

Mrs. Brown was a singer and musician. She would sit straight up, hold her head back, and sing, while playing the piano. She was very different from what I was used to from Dr. Smoot, but she is where I learned my earlier chord progressions that helped me learn gospel music. Learning gospel music was important because it was eventually where I was going to be utilizing my talents: As pianist of my father’s church. Mrs. Brown was truly a patient person and she also made sure to share snacks afterward of marshmallow spread and crackers, (of which), I still love today! But once I learned everything that I could from her, I later started developing my ear.

I would sit for hours at a time and practice on our home piano. At those times, there was no internet, no IPad Pro’s, or anything to keep us severely on the inside, so we really utilized playing in the neighborhood as kids are supposed to do! Those hours of forcing everyone to hear me play, (Hahahahah), I taught myself the more progressive chords in which I would later learn were the “numbers system.” I listened to everything, but specifically in the household, we listened a lot to blues, jazz, gospel, those genres are truly what’s heavily the result of why I play the way I do today. People don’t realize that I have a handicap as well: I only have use of 9 fingers…Why?

I was a major tomboy growing up so I would do anything I saw my brother do and he introduced me to football, basketball, and you guess it: I messed my right pinky finger up playing football related stuff with my brother. Instead of ignoring the injury, my parents sought medical help and I had to have 3 major reconstructive surgeries on my right hand, wrist, and arm. To this day, my pinky finger will not bend so people often comment on my playing a lot wondering why I hold my pinky finger in the air. I tell them,” No, I am not doing it for fashion and no I am not an Alpha Kappa Alpha Sorority member!” Hahahah. But, instead of giving up and stopping all activities, my father made me play in stitches and staples on a B-3 Organ because he knew it would be easier on my hands. He was testing me out on seeing whether I would be able to learn how to coordinate and play the foot pedals and two keyboards at the same time. Guess what? It would out greatly!

Currently, I am a Hammond Artist, Roland Artist, and Peavey Artist. I am endorsed with all three companies: Hammond Organ USA, Roland US, and Peavey Electronics USA. Being that dad made me play the organ; the ability to play pedals and keyboards helped me to develop a left-handed driven chord style, leaving the right hand for more fill-in/free-style activities. But, I have also attended J.C. Calhoun College’s Music Industry Communications Department under Jimmy Cantrell.

Jimmy was and still is a jewel. A rare jewel is a great description of him. Jimmy didn’t know my musical background, because I wanted to keep that part of my life separate and quiet, but I already had a major music industry connection right at my fingertips; however, I wanted to utilize my hard work and sweat to get where I wanted to go in life. Jimmy heard me sing and play the piano one day, and literally was blown away and made sure that everyone he could speak to, know who I was…and then it happened.

One day, during one of our many Industry Community Board Meetings, where we would have industry representatives and alumni from Calhoun College to come back and speak about their whereabouts and accomplishments in music. I never will forget it: Philip White, Bart Busch, and Paul Compton all came down. I didn’t know who they were, but after hearing all of their accomplishments, it was so amazing to be sitting under them at all. All three of them met at Calhoun from various parts of the state. One was more interested in engineering, (Bart); one was more interested in music business/publishing (Paul); and lastly, one was just interested in songwriting and that was Philip. I remember some 12 years ago, Jimmy walked over to me and nudged me to go to the piano and sing the project that I turned into him just recently in Recording 101. I did. I played a hymn called, “I Shall Wear a Crown…” All I remember is that Bill Gaither of the Gaither Singers came in on Tenor note, I was Soprano, and Latoya, another student, was on alto. After finishing that song, Philip dashed off literately running to his truck, and came back out of breath and simply asked me this: “How soon can you come to Nashville? Can you come tomorrow? I have someone I want you to play and sing for.” I had no idea that he was the Songwriting Recipient several major awards, but all I know was at that moment; he opened a door for me to work with him. Guess what? I went to Nashville the next day and started literately working with legends like Blu Miller, “Skantch,” Mark Beckett, Billie Panda, and so many more. I mean, I was thrust into some of Nashville’s Who’s Who of music and had no idea of all that was about to take place.

I started going back and forth to Nashville and began doing true professional demo singing, playing, and producing with Philip. I also became organist/keyboardist for Amber Leigh as well. I learned the elements of what it means to write a song and even noticed that Nashville had its own number system. I also learned to do my simple demos on my IPhone under my voice notes. But, I also learned about what true sound was to sound like and knew that in order to be considered a great at songwriting, which I discovered I was really good at, I would have to truly stand out.

I started my songwriting career in Algebra II, with Andre Wainwright. He and I would sing and write stuff for hours at Huntsville High School, in Huntsville, Alabama. Later after writing mostly poems and melodies with Andre, I actually found my first real teacher: The Late James Bussie. James Bussie was an organist from Atlanta, Georgia that just so happened to play at St. Bartley P.B. Church when I met him. We became truly close friends, but he was murdered by his ex-girlfriend 15 years ago. You can’t imagine what someone is mentally going thru, however, what I did know was that the music we were creating was truly: music. He inspired me to become a songwriter. What is funny is that I didn’t understand how to make live sound at all, but he was patient enough to show me what it takes to truly place great musical melodies together with heart-felt lyrics. We would be working together on everything that you could think of and when he was murdered, it was shocking because you never hear about revenge or a person dying because of rage and anger. And when he died, I lost everything that I had been working on with him. But, he helped me to make my poems that I had into songs.

My background is a simple one: Anything live with a nice, clean Hammond Organ, Roland boards, Fender Rhodes, Vintage Guitar, Bass, Drums, beautiful vocals, and a true message is where you will find me supporting and listening every day!

IAA INDUSTRY NEWS: Why do you want to record and release your own music?

KIM TIBBS: I could give the obvious reasons that every artist will want to say and that is, for starters, I want to be on the radio and give people real music. Now, people will argue all day long about what is real, or fake, but I am not one to put other artist on blast; or place them in a category that they don’t want to be in. I simply look as a whole at the wave of what and where music has come from. Then I compare it to where it has gone. I want to be that artist that can re-introduce, re-invent, and re-dedicate solely to the art of soul and sound.

A few months ago, I sat down and thought about what music is and what I wanted to do with my music. What I decided to do at that point was to start going to the studio and began to record what I truly wanted, musically, to represent me as a songwriter and artist. Since I listen to and play a lot of genres of music, it was easy for me to find a comparison of what I already did verses what I was trying to do. I know that may not make a lot of sense to a lot of people, but to the real musicians out there, they will know exactly what I mean.

For instance, we just lost the beloved, Prince. Prince was known to have some of the best known and even under known musicians in the world. Why we fell in love with Prince is because he put out everything we wanted to feel; while also giving something truly original, captivating, and from the heart. For me, the very essence of what he did makes me hunger for the ideal placement as a songwriter/artist for my sound. I don’t want to be like him as for his sound, but as for his knowledge as a musician, as a business owner, and as an artist: I truly hope to be iconic as he!

Releasing my music is a dream come true. It allows me to say what I want to say. It gives me a moment to share my wonderful moments, along with the painful ones that people almost think they can’t live thru. Releasing my own personal sound truly helps me adapt daily to life. People often see the outside of a person and think that the whole world must lay between their fingers. Well, I get this kind of treatment a lot because people assume that I have not been thru anything tragic. But, music has a way of making every letdown, setback, or hardship be erased. For me, I try to write about personal feelings, stories, ideas, and center everything on a Hammond Organ of some kind. Once I get the direction of the song in the early state, I am very fast in finishing.

Music opens my eyes and my heart. Sometimes in my past, music made me realize that the person I was in a relationship with at the time may not have been the person that I needed to end up with. My own music talks about positive encouragement as well as building up talents so they could make wealth for me. When I release my sound, I am giving of myself to everyone around me. So, since there is only “one” me, creating the perfect musical works for my friends, family, and fans is my way of giving a portion of me at all times. Music just is what I have to connect me with outside world activities. Most folks that I know within the music industry are very different, but the language of music makes us all connect.

When people hear my sound, I want them to remember where they were when they first heard it. Believe it or not, I can remember where I was when I heard some of my favorite artists. And that is what and how memories are created. When a person hears my sound, I want them to be able to relate and also be able to heal just knowing that someone has gone thru the same thing that they may have been thru or going thru. My songs talk about love, about death, about creating a family, about releasing pain, about making good decisions and choices, about making someone feel special, about supporting family, and especially about loving God. I can do all of those titles and not feel pressured about a genre just because there are so many people in between that need to hear songs touching on those topics. For those topics and possible fans, alone, that is why I want to release my sound.

IAA INDUSTRY NEWS: What are your songs about?

KIM TIBBS: Funny that the next question after why I want my songs to be released is what my songs are about!? As I stated earlier, my songs have several messages. They speak about empowerment and being focused. My songs touch on love, and on divorce. My songs are almost like a session with a counselor because some start off with the whole idea about a person not knowing who they truly are inside; as a person and looking to someone else for that extra boost or helping hand. A lot of the time, real issues that I have gone thru or are presently in, come out in my music. There is nothing to be ashamed of when you are truthfully doing something from the heart. Although everyone has a closet, sometimes, people need to know that there are a few people out there that actually aren’t afraid to say that they have been thru some major stuff.

A big part of me and my songwriting died when I lost my dad in 2010. I had just started recording my second album in which I would be dedicating it to him, my mother, and my siblings. Had I known that he was leaving me so soon, I would have smothered him and got on every last possible nerve in his body! There is something about the love that a daughter and father share; but even more, on my last project, I wrote a song called, “Like You…” And on this album that I have been trying to get finished, I have been truly getting my own counseling just from the comforting words in some of the songs.

Not everyone is capable of showcasing their true feelings and I am happy that I can. My songs are ways to get to know me. They also are ways for people to understand that I don’t like to broadcast my time by being out, as well. How I am able to write is by literally sitting down, clearing my mind, and the first subject that pops in my head is usually what I take into consideration and run with!

Too often, I have been super critical of my sound and sometimes I even over analyze the songs so much, that they just get locked away. What I have learned as I have grown into my abilities is that I had to go thru some extremely harsh situations to appreciate my gift. Going thru hardships caused me to appreciate all people and give when I can. As a Christian, I do write about God’s love. I can’t stop that part of me. I was born into the church and even baptized at such a young age, but guess what? You can hear some of that too.

All in all, my songs are stories and ideas all in one. I love Soul music, so a person will hear elements of early soul music with a twist of something totally new. I love all types of music, so, it will not be uncommon to bump into country music or even dub step. But, the main message in the music is always an undertone of finding yourself so that you can be what the entire world needs you to be!

IAA INDUSTRY NEWS: Who are your musical influences?

KIM TIBBS: That is a truly wonderful question to ask me! Who are the folks that influenced my sound? Well, to start, I mentioned my father, the late Pastor Robert L. Tibbs. Daddy, was patient and made sure that if I needed him to do anything, he would run in the speed of lightning. He was the very first teacher that I had and when I had mastered what he was showing me, I then went to Dr. Smoot. After finishing with Dr. Smoot, I then went to Mrs. Brown. These were my classical and gospel influences, but they are not my only influences.

Because I listen to a far great amount of music, that spans the entire world, I have learned to incorporate everything that I like into my sound. One thing that I did though was I did my own little research about early soul music. Since I play a loud “B-3 Organ,” I took the time to study some of the all-stars of music. What that means to me is that I literally took some of my favorite music, artists, and albums; I turned them over to see what names I recognized or had not recognized; I next googled all the names and was so overjoyed that several were still alive, writing songs, producing, and playing! So what did I do? I started my networking.

On the day that I contacted Rev. Charles Hodges, I was nervous. I was actually scared. You see, “Uncle Charles,” was the original B-3 Organist for Al Green: In which, you guessed it! I am a huge Al Green Fan! I remember seeing Al Green as a little girl back in the early 80’s. I was too small to stand, so my father put me up on his shoulders and there he was with the beautiful background singers and full band! At that moment as a child, he became my favorite artist and wouldn’t you know that today some 20 plus years later, I have a deeper love because I have worked with so many soul artists and Iconic names in music?! Al Green’s music included the organ, which Uncle Charles explained to me how the organ came to be at Hi Records under Willie Mitchell. It is such a humbling story, but even more humbling that even though Charles and his brothers are all iconic musicians, they all had time for someone like me. But my love doesn’t stop there.

Outside of my father being my total influence and first musical love, I am a fan of Prince, Billy Joel, Sade, Ray Charles, Miles Davis, Najee, Louis Armstrong, Robert Glaspers, Norah Jones, John Fogerty, Credence Clearwater, Janis Joplin, Jimi Hendrix, The Isley Brothers, Victor Wooten, Aretha Franklin, Wilson Pickett, Little Dragon, Maroon 5, Lauren Hill, Natalie Cole, Gladys Knight and the Pips, The Supremes, Erykah Badu, Jill Scott, John Lennon, Glenn Frey, The Allman Brothers, Bobby Womack, Johnny Taylor, Percy Sledge, Rascal Flatts, The Roots, Van Hunt, Joe Sample, Chick Corea, Hezekiah Walker, Willie Banks and The Messengers, The Mighty Clouds of Joy, Take 6, The Bond Brothers: Andrew “Bear” Bond and Chris Bond, Bon Jovi, The Staples Singers, Stevie Wonder, The Eagles, America, The Mamas and The Poppas, Heatwave, Klymaxx, The Temptations, The Who, The Beatles, Michael Jackson, Janet Jackson, Mahalia Jackson, The Hi-Rhythm Section of Memphis, The Muscle Shoals Horns Section, The Swampers of Muscle Shoals, Lynard Skynard, Lionel Richie, The Commodores, The Clark Sisters, The Caravans, Sam Cooke, The Rolling Stones, Ben Howard, Patrice Rushen, Queen, Heart, Fleetwood Mac, Roberta Flack, Donnie Hathaway, Steely Dan, Bruce Springsteen, Scott Tibbs, Art of Noise, Toto, The Dramatics, James Ingram, Patti Austin, Patti Labelle, B.B. King, The Bee Gees, Chicago, Kiah Victoria, Rance Allen, Yolanda Adams, CeCe Winans, BeBe Winans, Divinity “Divi-Rocks,” Dr. Reginald Jackson, Sting, The Police, Freddie Joachim, Lianne La Havas, and so many more. As you guessed it: I am a fan of old rock, soul, jazz, blues, gospel, and new age contemporary music! All of these artists that I listed above have some kind of way been instrumental in showing me how to be a better musician, a better songwriter, a better person, and a better artist. If some of these people never pursued their dream of music, people like myself would not exist today and that is why it is so important to travel a little back in time to figure out how music became and evolved.

IAA INDUSTRY NEWS: How would you describe your music to people?

KIM TIBBS: If I was sitting in a restaurant and someone came up to me wondering what my sound is like, I would explain it like this:

“My music is just like your favorite breakfast dish: If you like Waffles, Syrup, Sausage, Bacon, Ham, Scrambled Eggs, Fried Potatoes, Hash-browns, Fried Onions, Mushrooms, Peppers, Toast, Apple Butter, Fried Apples, Fried Peaches, Stuffed French Toast, Cereal and Milk, PG Tips Tea, Freshly grounded up coffee, Homemade Strawberry Preserves, Peanut Butter and Biscuits, Oatmeal, Cheese Grits, Vegetable Grits, Pancakes, English Muffins with Butter or Cream Cheese, Crepes with fresh fruit and Cheese, Plate of Special Cheeses and pears, Champagne, Spritzer Water, Cantaloupe, Strawberry’s, Watermelon, Peaches, Grapes, Honey Dew Melon, Papaya, Grapefruit, Oranges, Tangerines, Bananas, Blueberry’s, Nectarines, Kiwi Fruit, Figs, Fried Wontons and Cheese, Boiled Eggs, Eggs over easy, Eggs all the way, Water and a lemon, and a table overlooking a beautiful ocean, filled with luscious blue waves. This breakfast is all the way over the top which is exactly how my music is…over the top!”

The breakfast that I just explained went all the way into touching boundaries that truly aren’t ‘t always associated with breakfast foods, but in order to give a great description of what my sound is like, you got the idea about it from the breakfast description, correct? My music is full of surprises, emotions, love, happiness, joy, peace, positivity, empowerment, but yes, I have had a few songs to cross the borders of pain, hatred, anger, and rage…I think that I write according to how I feel a lot of the time which means if there are happy songs everywhere, then I am extremely happy!

For the first time listener, I am sure that someone would compare it to other artists that are out currently. However, the person will gain a true signature sound with Hammond Organ being definitely present. Plus, none of my songs sound alike so I think I would win over some listeners by actually being truly original. And I am happy for that moment to truly show what I am made up of. Sometimes, I wish I were able to go to an island just for a few days with nothing but my portable recording gear, plenty of songwriting materials including notebooks, a portable keyboard, a vintage studio microphone, and then let my ability speak for itself. Creating music doesn’t have to be so hard: The hard part comes in how the music is delivered and that in itself is a whole different conversation!

IAA INDUSTRY NEWS: What makes you stand out from other artists?

KIM TIBBS: I believe there are several things that make me stand out from other artists. (For one, I am not bragging so please don’t take my answers as such because I am a humble person). There are not many females in the world that are actual B-3 Organist, but I am and actually wear the title as a Hammond Artist. I play one of the loudest instruments on the stage. It’s an item that is kind of like a lion. Although people can tame lions, they can still come back and haunt you in the end. Well that is the same for a B-3 Organ: You can tame it and play it ever so gently but in the end, it will come back and scream at you!

Another reason I stand out from other artists is because I am seasoned. I just didn’t start working in the music industry yesterday and when people see me, they think I am management or something else industry related. I have always had a great love for the music industry, but I have done my homework and balanced my career with my active life. What makes me stand out from other artist is because I am a professionally endorsed musician with multiple endorsements and with that, I have been given the most humbling experiences because of playing for a large selection of Who Who’s in the music industry of today and yesterday. So, when people see me on stage supporting those artists, sometimes they go and research/ google me, and guess what? The next thing they find is my music; thus I have another fan out of just doing what I love to do!
Lastly, what makes me stand out is because I am actually putting heart and soul into everything single song! Every song has a message that has a true connection to everyday life. Artists lose the connection with fans when there is no substance or when there is never something that a person can gain from listening to what your sound is. For instance, I am a female, a woman. That in itself means that I go thru things a lot different than the average male counterpart. And those differences are what I write about…So, when you sum up the amount of character, choice of instruments, and things to say, you then have my songs.

IAA INDUSTRY NEWS: Tell us about one of the hardest challenges you had to face in your music career and how did you overcome?

KIM TIBBS: Wow! What a question?! I believe as an artist and songwriter that there are several hundreds of challenges that we have to deal with on a daily basis. One of my hardest challenges was actually being able move thru doors or actually having the necessary amount of “help” that it takes to really get an artist off the ground. You can have great music, but if you don’t have a good team that takes care of the logistics that are always within the picture, you don’t have the full potential and amount of support that is needed to leap off to the next point!

A second challenge has been trying to maintain what I want to sound like. Years ago, I worked with a producer who never wanted to pay attention to anything that I wrote, but instead, wanted me to sound the way he projected that my music should sound! Bad taste! It would bother me that I would be paying for sessions and getting his sound. I also didn’t have the courage to tell him that I wanted to sound the way my demos sounded at the time. Instead of him being supportive, (considering that he was getting thousands of dollars from me) he was always very negative, critical, and almost like an esteem blocker. People rave about his talents, and yes, he was talented, but what is talent when you are only listening to yourself speak and no one else? Anyway, when we parted ways, at that moment, I gained my sound and have not changed it one bit. I am proud of who I have become because it has not been without a full struggle.

Thirdly, my final challenge has been trying to stay encouraged even when it seems like days, weeks, and months go by without phone calls to do work. People can see the outside and think that there are so many wonderful things going on for a person, but don’t have a clue on the real truth. As an artist, I get hungry just like the next person. As much as I love music, being an artist and songwriter is very taxing. But, guess what? With prayer and sacrifice, I have been able to remain in good spirits at all times, financially met all my responsibilities, and been a hand on parent! I do believe that as an artist and songwriter, my duty is to always be responsible and making the right decisions that will help in the long run. But, real life kicks in and makes adjustments all the time. I am a real person and know that life for me has not always been easy. As a matter of fact, it has not been easy at all. But, I am thankful for where I am today.

Lastly, people don’t realize just how much I do. I am currently working on a Doctorate Degree at Walden University. Most would think that a college degree would be sufficient, but not me! I have always dreamed of having a Doctorate since being a little girl and while some may call me crazy to be in school and working in my dream career, I think sometimes that I am not doing enough. My mind is a lot different than the next person. I could have a full conversation with you while sitting in front of a keyboard, piano, or organ, and be playing wide open! I do things a lot different than the next person so making the decision to go back to school has been a rewarding one for me. It shows proof that single moms, with zero help, can finish anything they put their mind up to. I am living proof of that!

These are just some of the challenges that I face. Parenting is a whole different subject, but again, I am where I feel the Lord wants me to be. I also am trying to keep a level head because there are so many things out there that are not truly the best for me to be a participant in; I have challenges all the time and though my challenges might not sound as harsh as the next person, keep this in mind: I have rent due, groceries needed daily, have to drive, have to pay insurance, have to pay cell phone bills, have to pay utilities, have to pay water, have to be available for my son’s needs, and have to live. These are the same across the boards for everyone in today’s standards! Everyone has challenges!

IAA INDUSTRY NEWS: What are some upcoming projects you are currently working on?

KIM TIBBS: I am always busy doing something! But, I recently started working in the department of film scoring and composition in films, and again, I am humbled. My original, “Completely,” a simple love ballad will be featured in the film, “Zodiac Sign,” directed by Christopher Nolen. Secondly, I got another placement on the film, “The Boss,” that recently just came out. I am happy for this one especially. Thirdly, I worked on a project with an artist, King Khan and The Shrines. The project was an original soundtrack for the movie, “The Avengers.” However, this is not the avengers as super heroes, but that of the Memphis group of men and women that risked their lives for freedom, equality, sanitation and jobs rights, and for the right to vote. This film, The Avengers, was also voted and picked up as an HBO Original and I am hopeful that it does take off!

I will be working on a film called, “Baby Driver.” The film has not been rated just yet, but I am excited for the roll I will be playing. I also will be working on my second project in the near future. Also, I supported the artist, Raheem DeVaughn on a studio project that should be coming out later this year, which is also great. I recently just got back from London, three weeks ago. While I was there, I literally spent a few days in the studio just writing. And the more I wrote, the easier the songs came to me. So, I have 3 full albums that I am working on and recording all at the It has been a while since I went into the studio to just focus on me and my sound. I mean I did little bits and pieces here and there, but it is such a humbling experience to know that when you are about to be in a studio, you are the artist being supported! Also, I have several films in the future that I will have placement toward which I am excited about as well! I can honestly say that I have a lot going on and can’t wait for even more opportunities to share even more with you all!

IAA INDUSTRY NEWS: What are your career goals? Where do you see yourself in 10 years?

KIM TIBBS: My career goals are simple: I just want to be successful at what my heart desires! I love being a musician and I know that in 10 years, I plan on at least keeping up on my organ/keyboard skills! 10 years is a lot of time! So, in those 10 years, I would have already finished my Doctorate Degree and started working as a Professor of a college within the Music Industry Program; teaching a class on songwriting, professional responsibility, or one about accessing the tools that get you to the desired locations in life. Since I am also a motivational speaker, I would be speaking full throttle by then. I also love to encourage others, so I would be in full throttle again trying to make sure that my one-on-one sessions were moving as well.

I could see myself starting a major musical festival of some sort. Yes, me…A promoter! Where I am from, Huntsville, Alabama, there are some beautiful, luscious greenery and I could see something so major coming to Huntsville. We have a few concerts here and there, as well as a festival here and there, but I would love to have something that is major and constant such as the Coachella, or others.

As a graduate, I would definitely see myself opening a professional studio/entertainment hub that has an actual entertainment lawyer on site as well as other entities. Artists need to have dance studios, choreographers, and musicians, bands, and songwriters as well as practice rooms that are stage quality, while also having the intimate setting of a writer’s session. Having these present, would in fact allow my presence to be known even more. My degrees all surround themselves around Business in some form. And they all have helped me to make smarter moves as well as transactions. They don’t make me better than people: They make me smarter!

I just want to have a career that lasts. I want to be that artist that people say, “Wow, Kim has an amazing band and sound and has since she started!” Those that have them also have songs that reach everyone. And by reaching everyone, then I will have the ability to unite worlds together! I want to make music and simply be heard on the radio.

IAA INDUSTRY NEWS: How can your fans access your music and contact you?

KIM TIBBS: My fans can connect to me via my website first:

Second, my fans can go and listen to some more music.

And if you still need more, go to

My Hammond Artist Page is

Lastly, my Facebook Fan Page is

Between all of these, I can be reached! I hope that you find everything that you are looking for and more. Thank you for your support and for following me! I love you all! - Industry All Access


Still working on that hot first release.



What some may call "luck," others call DESTINY. Since birth, Kim Tibbs has been honing her craft. Crediting her late father, Pastor Robert L. Tibbs for her musical ability, Kim has over thirty years of musical experience as an accomplished Arranger, B-3 Organist, Keyboardist, Lyricist, Pianist, Producer, and Songwriter.   Kimberly is currently an Endorsed Hammond Artist with Hammond Organ Company USA, a Roland Artist with Roland Corporation US, a Peavey Artist with Peavey Amplifiers USA, and a Slick Audio Recording Artist; as well as a Staff Writer for the Songs of Love Foundation;  Kimberly holds Double Masters Degrees and is currently working on a Doctorate of Business Administration in Leadership. Kim Tibbs has gained international acclaim with her forthcoming release"...Kim." Her first single, "I Need You For Your Love" entered the Official UK Soul Charts at Number #24, November 6, 2016; in two weeks, it skyrocketed to Number #1 separately along with her second single, "Soul!," staying there for FOUR Consecutive weeks. The single "I Need You For Your Love" landed at Number #4 on the year end Official UK Soul Chart Top 100 Songs for 2016. Kim Tibbs has topped several well known European Charts to date.

 She has worked with Jazz Legend, Dr. Lonnie Smith; Grammy Award Winning, Legendary Blind Boys of Alabama; Legendary Organist Charles Hodges of the Hi Rhythm Section of Memphis, known for hits with Al Green, Syl Johnson, Ann Peebles, etc; Bobby Rush; Soul Singer Percy Sledge; Producer Scott Tibbs (Bette Midler, Bruce Springsteen, Beyoncé, Madonna, Wayne Newton, Chrisette Michelle, Chaka Khan, Lady GaGa, & etc.); Jimmy Johnson (The Rolling Stones, Aretha Franklin, Linda Randstant, Wilson Pickett, Muscle Shoals Sound, etc.); The Swampers of Muscle Shoals, Alabama: Clayton Ivey-Keys, Milton Sledge-Drums, Will McFarlane-Lead Guitar, & David Hood-Bass ( Aretha Franklin, The Black Keys, Wilson Pickett, Percy Sledge, The Staple Singers, Johnnie Taylor, Bob Seger, Rod Stewart, Duane Allman, Boz Scaggs, Paul Simon, Lynyrd Skynyrd, Joe Cocker, Glenn Frey,  Julian Lennon, Delbert McClinton, John Pine, Joe Tex, Bobby Blue Bland, Eddie Floyd, The Oak Ridge Boys, Eddy Mitchell, & etc.); Kathy Burdick (Amy Grant, Crystal Gayle, Patty Loveless, Marty Lloyd, The Clarks, Chris LeDoux, Frankie Yankovic, Jimmy Buffett, John Kay & Steppenwolf, Neil Diamond, & etc.);  Guitarist Travis Wammack (Aretha Franklin, Wilson Pickett, Little Richard, Mac Davis, Clarence Carter, the Osmond Brothers, Bobbie Gentry, Candi Staton, Delbert McClinton, Liza Minnelli, Narvel Felts, etc.); William Lee Golden of the Oak Ridge Boys; Raheem DeVaughn; Producer David Johnson (Percy Sledge, Lynard Skynard, The Supremes, The Commodores, Lionel Richie, & etc.) James “JD “ Blair (Wynonna Judd, Lyle Lovett, Shelby Lynne, Big and Rich, Shania Twain, & etc.); Mark Herndon of “Alabama;” Tony Pasko (Parliament Funk, Prince, Duck Dynasty Producer, & etc.); Bryant Pugh (Richard Smallwood, Yolanda Adams, Patti LaBelle, The O’Jays, Orlando Draper, Keith Pringle,  & etc.); Chalmers “Spanky” Alford (The Roots, Raphael Saadiq, Kirk Franklin, D’Angelo, Al Green, Joss Stone,  & etc.); Blue Miller (India Arie, Isaac Hayes, Pink Floyd, etc.);  Rita Tucker (The Legendary Blues Singer Johnny Taylor);  Kimberly has shared the stage with Phil French,  Darrel Petties & Strength in Praise, Rev. Norman Hutchins, Pastor Armondo Adams and Redemption, The Kaiser Singers, Lisa Knowles and the Anointed Brown Singers, Rock and Roll Hall of Fame Organist Felix Cavaliere, Hawk Wolinski,  Dr. Lonnie Smith, Rev. Jimmy Smith, Jayden Arnold II, Brian Charette, Jim Alfredson, Marine Lacoste, Peter Gallinari, Red Young, Christian Cullen, Chuggy, Paul Brown, Blind Boys of Alabama, Mary J. Blige, Ruben Studdard, Mike Phillips, Ken Ford, Legendary Hi-Rhythm Section of Memphis including Rev. Charles Hodges, Archie Turner, & Leroy Hodges; Percy Sledge, Travis Wammack, William Lee Golden, Lakeside, Sir Charles Jones, Denise LaSalle, Christopher Williams, and KeKe Wyatt. 

Kimberly has worked on projects with: Billy Ray Cyrus, Songwriter Don Von Tress, Darryl Worley, Videographer Samuel Sanchez Jr., Raheem DeVaughn, Tyler Perry Productions, Songwriter Noah Shell, Filmmaker Christopher Nolen II, Nferno Productions, Fame Publishing, Alecia Elliot, BET, Centric, TvOne, NBC Universal, ESPN, Composer/Producer Scott Tibbs, Lawrence “Boo” Mitchell of Royal Studios; Songwriter Michael Curtis, Buddah Khan and the Shrines, British Producer Andrew "Bear" Bond, Full Sail University, Chris Duncanson, Reginald Myrick & Infinity Music Group, Songs of Love Foundation of New York, Percy Sledge, David Johnson, Film Jurian Isabelle, (Bobby Pin Diaries),  Chalmers "Spanky" Alford,   Amber Leigh, Eric “Red Mouth” Gebhardt, Texabama Productions, & Philip White.

Band Members