Lone Piñon

Lone Piñon is an acoustic conjunto from Northern New Mexico whose music celebrates the diversity and integrity of their region's cultural roots.  Using violins, accordion, quinta huapangera, bajo sexto, guitarrón, tololoche and vocals in Spanish, English, Nahuatl, and P'urépecha the group has revived and updated the Chicano stringband style that once flourished in New Mexico, bringing a devoted musicianship to Northern New Mexican polkas and chotes, virtuosic Mexican huapango and son calentano, and classic borderlands conjunto.

New Mexico has long been a crossroads not only of cultures, but of eras--a place where ancient ways of being exist alongside modern life.  The oldest strands of New Mexican traditional music began to become scarce in the 1950s when New Mexico was rapidly and at times forcibly integrated into the American economic and cultural environment.  But testaments and bridges to this older world have remained in recordings, photos, and most importantly in the living memory of elders.  The musicians of Lone Piñon--Noah Martinez, Jordan Wax, and Leticia Gonzales--were all lucky enough to be initiated early in their musical path into the traditions of elder musicians, who instilled in them a respect for continuity and an example of the radicalism, creativity, and cross-cultural solidarity that has always been necessary for musical traditions to adapt and thrive in each generation.  In 2014, they formed Lone Piñon in an effort to find and strengthen the oldest strands of New Mexico string music, sounds that had all but disappeared from daily life.  Through relationship with elders, study of field recordings, and connections to parallel traditional music and dance revitalization movements in the US and Mexico, they have brought the language of New Mexico traditional music and related regional traditions back onto the modern stage, back onto dance floors, and back into the ears of a young generation.

Early on in the process their involvement in New Mexican styles opened up connections to a network of related styles that cross state and national borders.  Their active repertoire reflects the complexity of this musical landscape and includes twin-fiddle traditions from South Texas, Tohono O'odham fiddle tunes from Arizona, early conjunto accordion music, contemporary New Mexican rancheras and canciones norteñas, orquesta tejana, New Mexican and Mexican swing, huapangos huastecos from the Mexican Huasteca region, and several styles of music from Michoacán:  son calentano and son planeco from the southern lowlands and son abajeño and pirekuas from the P'urepecha highlands.  

In the past years Lone Piñon has played extensively across New Mexico, Colorado, Arizona, and the Midwest and recorded two CDs: "Trio Nuevomexicano," self-released in February 2016, and "Días Felices," released internationally in March 2017 by Living Music Dupli-cation (www.lmduplication.com).  Their third studio album, "Dále Vuelo"  is in the works and set for release by Living Music in the summer of 2018.  This year they have been invited by the Library of Congress to present traditional music of New Mexico at the American Folklife Center in Washington DC.