Reve Kalell

Denver’s own, Reve Kalell, comes out with his newest album, ‘Genesis’. On this album, Reve Kalell is able to showcase his lyrical ability, great flow, style and his versatility which allows him to put his own singing touch on his records. Over quality production, he pens together positive messages of hope, unity and balance. Throughout the album, there is a focus on politics, injustices, conspiracies and other topics that may come off as controversial, but is still important for listeners to hear. Tracks like ‘Expect Us’, ‘I Should Be President’, and ‘Classified’ are just a few that expresses the distaste he has for the political climate, talking deeply about the corrupt nature of politics, social issues, the lies that media share, and the economic imbalance between the top 1% and the rest of us who fall in the 99%. This album is a great listen, balancing musicality and content that highlight the social issues that listeners face, making it all worth the listen. - Grungecake

Reve Kalell is a hip hop artist from Denver, CO whose controversial lyrics has drawn the attention of many music heavyweights around the world. His talent and belief in freedom of expression have led him to earn the title of one of the most gifted emcee’s. His lyrics push past the stereotypes of hip hop music by bringing a message of positivity and personal growth. His rhymes have addressed issues like the water crisis in Flint, MI with his single “Kings.”

In his upcoming album “Genesis,” Reve Kalell continues to both tell a story and a message across all 12 tracks. He has a blend of all genre’s combining old school hip hop, new school trap, EDM, and rock to cater a sound that will appeal to all listeners of music. A powerful album that will not only show he can battle, but also start a revolution. - OutLoud Culture

Colorado’s Reve Kalell has fostered thematic relevance as one of his foremost assets. The Denver-based rapper/singer thrusted onto the hip hop scene last year with his debut album, the appropriately titled Crashed in Denver. Combining a multi-genre sound with unabashedly blunt lyrical sensibilities, Kalell managed to earn, nonetheless maintain, a dedicated social media following. While politically controversial from a surface standpoint, he reaches listeners through a poignant sense of unity, balance, and personal growth. In doing so, he strives to convey such commentary through the most forthright means possible.

In his sophomore album, Genesis, these elements continue to translate with a high degree of proficiency and finesse. As a newcomer to Kalell’s work, I was surprised by the album’s opener, “Rap Jesus.” It doesn’t play on the notion of one’s ego being inflated to the extent of a God complex, but instead, a need to make the largest impact while death is on the horizon. There’s decent attention to its rhythmic factor, particularly in the initial reverberated, funkified guitar groove. What gradually comes together is a smooth melding of jazzy bass and warm synths, which contrast with the intensity of Kalell’s vocal delivery. Although the tone may be serious for a majority of the track, but the remainder is much lighter and is certain to garner a few laughs. Both “Expect Us,” the track to follow, and its successor, “I Should Be President” center on the corruption that overtakes the current political climate. Kalell initially highlights such issues as mass media manipulation, economic divide, and sexual abuse within nationwide industries, all the while expressing a hazy, but genuine disenchantment. I appreciated how, that relaxed, old-school jazz vibe of the instrumentals is intact throughout. Even the more modern, tongue-in-cheek nature of the next track still resonates. It manages to strengthen the link of the two songs—from carrier single to thematic expander —by use of similarly pertinent anecdotes, and subsequently benefits the pacing of the album thus far. “Classified” enters on a wispy, but firm acapella melody, before continuing with the objective of a protest-based monetary raid, as a result of vital information being withheld from the masses. In both a clever and casual manner, Kalell suggests the very tip of the upper class be subjected to the unnecessary struggles minorities face regularly. That sentiment is followed by “Acid Rain,” another single that expresses rage in more of a subdued, subtle manner. I like how it sees a shift back toward a guitar-based foundation, except once the beat gains a larger presence, the guitars are then obscured with only the tail having clarity. Otherwise, the song works well when transitioning into “Juice,” a definite highlight about transcending the odds, that caps the first part of the album.

Without a doubt, though, the latter half is where Kalell especially excels. Generally, the instrumentals showcase a much more defined uniqueness and personality which ultimately benefits his delivery. I’d imagine “Communion” faring well as a follow-up single, given its memorable piano melody and straight ahead, radio-ready structure. Thematically, it carries the idea of being blessed, and subsequently longing to maintain a certain level of temerity. It is expanded upon in “How You Feel,” a track that sees combative creativity (ways of “firing” back at authority, in the widest sense), as well as an experimental approach to the percussion. From here, that element becomes especially apparent as it comprises most of the rest of the album, with “Let Me Get Back” sporting a very ear candy-filled beat (think an Adult Swim interlude, but extended with a trippy flow). On the tenth and penultimate tracks, “VVI” and “Last Supper,” Kalell aptly expresses both vulnerability and cynicism, stating that he, having inevitable flaws and facing inevitable loss, is also prone to the inevitability of death. Nonetheless, the final title track emits a dash of positivity that closes the album on an exclamatory note. Its return to a guitar-based foundation is upbeat as it is refreshing, as it bolsters the clarity of Kalell’s singing voice. The song proves poignant this time around, not just for its emphasis on the importance of bonds, but the call for a persistent, worldwide strength to manifest and solidify.

Overall, Genesis is definitely an album that has broadened my understanding of modern hip hop’s merit and creativity. There’s a clear transformation that has taken place – from a colorful, highly imaginative debut to a somewhat grim, but indeed more mature and introspective sophomore effort. I have yet to experience what direction Reve Kalell will take his talents, as he is presently succeeding in making a difference for fans and newcomers alike. - Music Existence

Just in time for Hack Day, Reve Kalell (of SkyLaw) shares his brand new EP rightfully titled, “Malware.” Since the release of his video for “Feel It,” a genuine interest has developed because of his adept ability to blend urban contemporary sounds and electronic dance music. Starting off with the title track, the Denver-based entertainer discusses the glitches in his system, which are more than likely synonymous to any adversaries or unexpected issues we all face but he overcomes every time. With a profusion of confidence and relatability, Kalell warns his competitors over the course of the project. For the most part, his energy remains consistent.

Personally, when he’s on tracks like “Malware,” “Rise Above It,” and “Think Like Them,” is when he is at his best. Without a doubt, he is one of the most prominent and diligent independent artists to emerge from the mountainous state of Colorado. Check out his 9-track extended play below, and let him know what you think. - Respect Magazine

In anticipation — and to feed his fans — Kallel drops a super lyrical “This Aint Even On The Album,” and a super fun visual that sees the emcee dropping insanely poignant bars wrapped in digestible contemporary vibes; all this, while wandering around a grocery store.

Check the visual below, and stay tuned for the LP. - Above Average Hip Hop

Tell us a little about yourself. Where are you from? How long have you been making hip hop?

I was born and raised in one of the coolest cities in America. Denver, Colorado. I’ve been making music consistently since I was eight years old, and it’s been hip hop about half the time.

What influences you in making hip hop?

Innovation. My goal is always to make music that helps the genre evolve. Sometimes it comes back to haunt me when people aren’t quite ready for something new, but oh well.

Describe your music, and what separates you from other MCs?

I try to always make you feel something.

Who have you collaborated with? Who would you like to collab with in the near future?

I’ve been so busy with my band SkyLaw that I actually haven’t been able to work with as many hip hop artists as I’d like, but let me throw something out into the universe and see if it manifests. This year I would love to work with Raury, Tinie Tempah, and Yonas.



Your definition of “Underground Hip Hop”?

Music that rebels against the majority.

Production wise, who are your influences? Who does your production? and who would you like to work with in the future?

I draw influence from a ton of different producers because we often try to create fusion music that has elements of multiple genres. Currently, I’m working with two overseas producers Digital Coma and BeatsCraze, along with local powerhouses Gregg Walsh and Toy Box.

Any current or future projects you are working on?

My new EP “Malware” is dropping next month. I’m going to release the debut single “Light Up” on a random day that feels right. My band SkyLaw is also releasing their debut EP “Evolution” this fall.

Can you give us a brief description of your creative process for your new single “Think Like Them?” Also, tell us a little bit about the concept and idea behind the cover art.

Well, I don’t write any of my music, all of it comes in a freestyle form. This particular record manifested after some issues with a former business associate. The inspiration hit so I drove straight to the studio.

Where can we find your music and info?

Follow me on all social media outlets @ReveKalell

Any shout outs?

Shoutout Lil’ Bookie from the block and free my dude P-Nut. - Underground Hip Hop

Reve Kalell hits our pages today with his Darian-assisted track “Light Up.” It’s a pretty dope visual that shows the two artists delivering their well-done verses, with Darian stealing the show with her ever-so-smooth crooning towards the culmination of the track. All in all, a pretty dope showing from these two. Watch below and enjoy! - Daily Chiefers

The fight for clean water in Flint, Michigan continues and Reve Kalell has shared the motivational single “Kings” in support of the city.

Residing in Denver, Reve is traveling to Flint this weekend to join the community in their efforts to raise awareness of the ongoing issues. The Nema-produced track is empowering and demanding at the same time as Reve calls for people to stand up and fight as gladiators, “praying we’re kings in another life.”

Reve will shoot the video for “Kings” while on-site in Flint. It is the first single from his debut album, Crashed in Denver.

Listen to “Kings” above. - HipHopDX